After the Greeks
installation
(in progress) since 2023
Clay as it is
ceramic works since 2022
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After the Greeks installation (in progress) since 2023 |
In this series of works, the author creates ceramic copies of numerous types of plastic bottles. The shape of the bottle in general and the plastic bottle in particular comes from a modification of the shape of the Greek amphora. The process of attaching handles to a banal object serves as an act of ennobling its form and at the same time as a statement of regression in the aesthetics of modern society. | |
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Clay as it is ceramic works since 2022 |
Experiments with ceramic technology |
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On duty sculptures 2021-23 |
Images of social creatures. | |
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Castle life sculptures 2020-23 |
The works are the result of inspiration and reflection on life in an abandoned building, converted into a collective workshop of artists. |
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Without flesh sculptures 2020-23 |
The play of contrasts between living and dead, full and hollow gives rise to contradictory associations: on the one hand, the heaviness of thoughts about death and disappearance, on the other, fascination with the reproduced relief, the energy of being | |
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Killed, stuffed and forgotten papier-mache sculptures 2020-22 |
Ce qui était auparavant un objet de ferté pour nos ancêtres devient avec le temps un objet de honte. L'acte de tuer n’est plus symbole de noblesse, mais il n'est pas non plus complètement rejeté, ici, il est seulement déguisé sous le motif du papier-peint >>> |
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Stork, pike, chicken, etc bones series 2020-21 |
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Suckling piglets istallation, 2020-23 |
В итоге я создаю объекты, которые для потенциального потребителя моего искусства, являются дровами, стоящими больше чем сама древесина. As a result, I create objects that, for a potential consumer of my art, are firewood, worth more than the wood itself. |
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As the rags papier-mache sculptures, 2019-20
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В это серии работ, художник создает иллюзии кусков ткани, висящих на стенах, которые на поверку оказываются твердыми. Это словно в психоделическом трипе, стены покрытые многослойными обоями, вдруг изменили свою материальность и повисли как тряпки. Автор делал эту серию, находясь в сложном психологическом состоянии, связанным с разрывом отношений, ощущая себя при этом, словно потерял скелет. In this series of works, the artist creates the illusion of pieces of fabric hanging on the walls, which turn out to be solid. It is as if in a psychedelic trip, the walls covered with multi-layered wallpaper, suddenly changed their materiality and hang like rags. The author made this series while in a difficult psychological state associated with the breakup of a relationship, feeling as if he had lost his skeleton. |
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Termitaries-2 husk series 2017-18 |
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Termitaries-2 exhibition, 2018 |
По очертанию каждого «термитника» можно прочесть типологию архитектуры, говорящую об идеологии своей эпохи. |
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Seven skyscreepers series of objects, 2018 |
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NOTO 1960-2017 digital photo, 2017
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Проект основан на сценах из фильма "Приключение", Микеланжело Антониони, снятых в г. Ното, Сицилия в 1960 г.
(реализовано совместно с Луиз Морин) Project based on scenes location from "L'avventura" by Michelangelo Antonioni, shut in Noto, Cicily in 1960. (realised in collaboration with Louise Morin) |
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Melting down series of objects, 2016-17 |
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Lead jellyfishes sculptures, 2015-17 |
